Controversies and celebrations at Cinemalaya 2014 awards

(Story originally published for The Manila Times.)

Past and present filmmakers of the Cinemalaya Independent Film Festival expressed “violation of rights” over the online upload of 2012 and 2013 competition films over the weekend.

Including last year’s Best Film director, Hannah Espia (Transit, 2013), and the first year’s Best Film director, Auraeus Solito (Ang Pagdadalaga ni Maximo Oliveros, 2005), the filmmakers took to the stage of the festival’s awards night on Sunday at the Cultural Center of the Philippines.

After accepting the New Breed Category’s Best Screenplay award for director Giancarlo Abrahan V’s Dagitab, Espia said, “I want to express my heartbreak over the upload of our films on YouTube . . . To see our films on YouTube is a violation of our rights as artists and filmmakers.” 

Espia, who co-produced Dagitab, added that she and fellow filmmakers are calling for a dialogue. “We cannot stay silent,” she ended her speech.

Meanwhile, Solito, who now goes by the name Kanakan Balintagos, read an official statement from the first batch of Cinemalaya filmmakers.

“We are in solidarity with our fellow filmmakers whose artistic rights were violated when their films were uploaded on YouTube and on the Cinemalaya website without their final consent,” he said in between presenting awards.

It was on Saturday that the 2012 and 2013 full-length films were uploaded at the Cinemalaya website and the personal YouTube account of a certain Janssen Agbada.

In a statement posted by Cinemalaya Foundation in its Facebook account, it said, “Only half an hour ago, we got wind of the fact that Cinemalaya films were uploaded by Janssen Agbada, technical personnel of the Cinemalaya website yesterday. We apologize for this situation which we had no idea of nor we are aware of what or who caused or gave instruction for her to upload the films.”

The films were then immediately removed from the website and the YouTube account was disabled.

But at the awards, Tonyboy Cojuangco, chairman of the Board of Cinemalaya Foundation, claimed responsibility for the act.

In his speech, Conjuangco explained that for the past 10 years, he had struggled to subsidize Cinemalaya. And in the next years, they are predicting that the festival will reach a “plateau.”

In search for ways to make the festival sustainable, Cojuangco gathered a group of experts for discussion. And the uploading of films online was what “they thought was the answer.”

“[By] getting people to get hooked to Cinemalaya product. And the only way to get that is by giving them the chance to watch,” he explained. “It’s either we upload everything, or we upload nothing at all.”

So, he added that they decided to upload all films they had still rights on. Cinemalaya has rights of a film for three years only. 

The foundation, led by its president Nestor Jardin, also apologized to the filmmakers in contention.

A family affair

Hosted by Ina Feleo and Epi Quizon, the Cinemalaya 2014 Awards Night was a family affair.

Feleo, the daughter of the late Johnny Delgado and Cinemalaya’s very own festival director Laurice Guillen, and Quizon, the son of the late King of Comedy Dolphy, noted that this year’s festival presents some of the most trusted families in the film industry like the O’Haras and the Siguion-Reynas.

Making his big screen return after 14 years in the limelight, Carlitos Siguion-Reyna directed Hari ng Tondo, which won three awards in its Directors Showcase category namely, Special Jury Prize, Best Actor for Robert Arevalo and Best Supporting Actress for Cris Villonco.

Carlitos is the son of Armida Siguion Reyna, and Villonco is his niece.

In accepting the awards, film producer and writer Bibeth Orteza expressed delight to see the return of the “Reyna” logo in the big screen.

Meanwhile, sisters Janice O’Hara and Denise O’Hara of the O’Hara clan accepted the Audience Choice award for their film, Sundalong Kanin, in the New Breed Category.

Nora Aunor wins

For the acting awards, Nora Aunor was the biggest winner of the night for her performance in Hustisya, Joel Lamangan’s film for the Directors Showcase.

Her win was much-anticipated as it was her first time to join the indie film festival. She said, “Sa wakas, nagkaroon din ako ng pelikula sa Cinemalaya [Finally, I had a film at Cinemalaya].”

The Superstar continued, “Patuloy po akong gagawa ng pelikulang makabuluhan. Sa mga kabataan, sana magsilbi itong inspirasyon [I will continue to make meaningful films. I hope that it will serve as an inspiration to the youth].”

Under the New Breed category, Actress Eula Valdez won Best Actress for Dagitab in the New Breed category, while Dante Rivero won Best Actor for 1st ko si 3rd in the Directors Showcase.

While Villonco was named the Best Supporting Actress in Directors Showcase, it was young GMA talent Barbie Forteza who accepted the honor in her category. She was in the film Mariquina.

Best Supporting Actors were Miggs Cuaderno, a Kapuso child actor, for his role in Children’s Show (New Breed), and Nicco Manalo in The Janitor (Directors Showcase).

A special award for Best Ensemble Acting went to the cast of #Y by Gino Santos.

Major awards

The major awards of the films last night were spread out in different films under the three categories.

For the Short Films, young director Kevin Ang won Best Director and Screenplay for his film Lola, while Sari Estrada got the Best Film for Asan si Lolo Me?.

Michael Tuviera also received two awards for Best Director and Screenplay for The Janitor, while Joselito Altarejos got the Best Film honor for Kasal under the Directors Showcase.

Kasal is Altarejos’ last gay-themed film, as he said that he had served his purpose for the LGBT community.

Finally among the New Breed entries, Dagitab won Best Screenplay and Best Director, and Bwaya the Best Film.

In accepting the award, director Francis Xavier Pasion also commented on the issue of uploading. He said, “I only have one word, respect. That filmmakers must respect Cinemalaya and Cinemalaya must respect the filmmakers.”

Kidlat Tahimik was honored the 2014 Gawad Balanghai for being the “Father of Philippine Independent Cinema.”

Full list of winners:

Best Film

New Breed: Bwaya

Directors Showcase: Kasal

Short Feature: Asan si Lolo Mê?

Best Director

New Breed: Giancarlo Abrahan V (Dagitab)

Directors Showcase: Michael Tuviera (The Janitor)

Short Feature - Kevin Ang (Lola)

Best Actor

New Breed: Dante Rivero (1st ko si 3rd)

Directors Showcase: Robert Arevalo (Hari ng Tondo)

Best Actress

New Breed: Eula Valdez (Dagitab)

Directors Showcase: Nora Aunor (Hustisya)

Best Supporting Actor

New Breed: Miggs Cuaderno (Children's Show)

Directors Showcase: Nicco Manalo (The Janitor)

Best Supporting Actress

New Breed: Barbie Forteza (Mariquina)

Directors Showcase: Cris Villonco (Hari ng Tondo)

Best Screenplay

New Breed: Giancarlo Abrahan (Dagitab)

Directors Showcase: Aloy Adlawan and Michael Tuviera (The Janitor)

Short Feature: Kevin Ang (Lola)

Special Jury Award

New Breed: K'na the Dreamweaver

Directors Showcase: Hari ng Tondo

Short Feature: The Ordinary Things We Do

NETPAC Award

New Breed: Bwaya

Directors Showcase: Hustisya

Best Editing

New Breed: Gerone Centeno (Children's Show)

Directors Showcase: Tara Illenberger (The Janitor)

Best Production Design

New Breed: Toym Imao (K'na the Dreamweaver)

Directors Showcase: Harley Alcasid (Kasal)

Best Cinematography

New Breed: Neil Daza (Buwaya)

Directors Showcase - Mycko David (Kasal)

Best Sound

New Breed: Jonathan Hee and Bryan Dumaguina (Children's Show)

Directors Showcase - Mike Idioma (The Janitor)

Best Musical Score

New Breed: Erwin Fajardo (Buwaya)

Directors Showcase: Richard Gonzales (Kasal)

Special citation for ensemble acting: Elmo Magalona, Coleen Garcia, Sophie Albert, Kit Thompson, Chynna Ortaleza #Y

2014 Gawad Balanghai: Kidlat Tahimik, "Father of Philippine Independent Cinema"

Audience Choice

New Breed: Sudalong Kanin

Directors Showcase: Hustisya

Best Poster Design: Asintado

Canon's Best Cinematography: Kasal (Mycko David) 

Whirlwind, frenzied and gratifying coverage of "#KenshinManila"

Sometimes, it's complicated when your personal likes and professional career come together in one situation. But for a journalist like me, it's just freaking awesome most of the times. 

Take for example my whirlwind, frenzied and gratifying coverage of the "#KenshinManila" events last week. No less than the maker and cast of the live action movie of the popular manga Rurouni Kenshin came here to promote the second and third sequels, Kyoto Inferno and The Legend Ends set to open this month and the next, respectively. 

As the Samurai X himself. PHOTO COURTESY OF WARNER BROS. 

And allow me to confess that I am a fan girl of the movie and Takeru Satoh, who gave a convincing and effective portrayal of the titular character, Kenshin Himura. (Seriously, is this confession even needed, I thought everything was SO obvious already.)

This can be traced from as far as the 90s when the anime, popularly called Samurai X, was shown in the Philippines. I was an elementary student then and it was even dubbed in English. I also loved copy-drawing Kenshin and Kaoru. 

And while I don't remember the story and all the characters too well, everything came back to me when I watched the first Ruruoni Kenshin last year. 

So when Warner Bros. Entertainment officials from Japan and the Philippines announced they are bringing the cast led by Takeru-san himself, I knew by then that I must see him, and his co-stars Emi Takei (Kaoru Kamiya), Munetaka Aoki (Sanosuke Segara) and director Keishi Otomo. 

Here's how the page looks like. 

How to? I will cover as a legit press! :D Self-serving yes, but hey, I already published the story at The Manila Times. 

And fortunately, my editor and co-writer are both supportive. So it was practically very easy for me to do so unlike for others in various media outfits who had many "kaagaw"!  

There were three events for the Rurouni Kenshin guests in their two-day visit. 

First was the Red Carpet Premiere of the Kyoto Inferno held on August 6 at SM Megamall in Pasay City. 

From there, a cult following materialized from different parts of the Philippines. Organizers proved themselves it was the right thing to do when they gave in to the clamor from Filipino fans. 

Though I purposefully missed the actors and the directors in their red carpet walk, I was able to catch them at the cinema where they greeted fans before the film showing. 

There, Takeru-san said that he couldn't believe it was the first time that a Japanese film was actually premiered here. With that, he hoped that Rurouni Kenshin will pave the way for similar events and visits. 

(From left) Director Otomo Keishi and
actors Takeru Satoh, Emi Takei,
and Munetaka Aoki at the Red Carpet Premiere
of Kyoto Inferno

Munetaka, on the other hand, wore slippers with a suit! Haha! Our newspaper's photographer who was at the red carpet also described him as Mr. Cool Guy. 

Emi spoke softly like a doll (kawaii) and director Otomo-san was all smiles. 

Together, they expressed gratitude for the unexpected and big support from their Filipino fans. 

As for Kyoto Inferno, it was damn good. The fight scenes are more surreal than the first. If you want legit samurai action, this is what you watch. And the way it was ended, one is just too happy that the continuation can be watched not more than a year after but in the following month!

Day 2 of their visit included a cultural activity in the morning at Raffles Residences and a general press conference in the afternoon at the Glorietta Activity Center. Both venues are in Makati City. 

And I became a legit fan for covering the whole-day affair from 10 am to 7 pm! 

The awarding of certificate and
exchange of tokens. Takeru immediately
wore his gift from the Filipinos

In the morning, the Japanese guests were awarded "Cultural Friendship Ambassadors" by the Makati City government, the Japan Foundation, Manila and Warner Bros. Philippines. 

The two parties also exchanged gifts, traditional ikat scarves (TRIVIA: Takeru-san asked to open his gift already. Upon seeing his scarve, he said he loved the color and immediately replaced the scarf he wore with the ikat one. Aww, so thoughtful) for the Japanese and yukatas for the Filipinos. 

They loved this Samurai X jeep!

The highlight came when a photo opportunity was held outside the hotel. Takeru-san, Emi, Munetaka and Otomo-san posed in front of a Samurai-X jeepney. 

Story was, as told to me by a source, they saw the jeep along the road. So amused were the four that they actually called upon it for a photo!

But that was not MY highlight! The story behind this famous (famous talaga, pwede "Liked" lang) photo was that I just finished talking with JFM officials thinking that Takeru went back in his hotel room already. But when I turned around, lo and behold, he was behind me!

Our very reliable photographer took the photo, even without me telling her to do so!
Thanks Melyn Acosta!

I was trying to gesture a handshake, because I know that's the best and closest I could get from him--touch is way more better than a selfie. But instead of a hand, he handed me a small token. A cute keychain memorabilia of the film. AWWW. 

The BEST fan girl moment of my life! Success! I don't know who else were given the same token because I think I lost it for a few minutes. 

The next thing I knew was that he was going back for good in the hotel. My instinct kicked in, and again gestured that I wanted to take a photo of him. I think, he didn't understand at first, but when he did, he gave me the nicest smile. 

My Takeru-exclusive smile. *melts*

After that, I graciously waited for five hours, more I guess, before the actual press conference took place. 

Unfortunately, Ms. Emi was not present there anymore, but the three guys were enough to liven up the yet another big, big crowd!

In my The Manila Times story, I summarized: 

"Satoh, Aoki and Otomo graciously answered a variety of questions from the press, starting off with how they feel about visiting the Philippines.

Satoh replied, “It’s really fun. It’s really beyond my imagination that all of you [the fans] are here. It is very surprising, shocking.”

For his part, Aoki thanked everyone for the great opportunity to present Kyoto Inferno. He promised adoring fans that he will use his “big power” to bring The Legend Ends in September.

Director Otomo, meanwhile, promised to bring his amazing experience in the Philippines back to Japan and share it with his fellowmen.

The three gentlemen further talked about their experience in filming Kyoto Inferno. The director touched on how he and manga creator Nobuhiro Watsuki had “collaborative meetings” before filming. On the other hand, Aoki revealed that fight scenes were so extreme he even lost a tooth.

Takeru said he is honored to be able to portray such a major role, which is now part of his life. “If I’m not sure of my decision making, I would ask, ‘If it was Kenshin, what would he do?’ He’s like a mentor to me, someone I respect and look up to.”

When it was time to bid farewells, the Ruruoni Kenshin said to his admirers, “Thank you very much. It’s my first time to come  here [and] I’m glad I came. I’m now in love with the Philippines.” "

They know how to make their fans happy

We definitely love you back, and we would love it even more to see you again Takeru-san!

Special shout out to my colleagues in the industry, Kat Llemit of Daily Tribute, and Carla Mortel of Manila Standard Today, who were avid fans like me! 

With fangirl buddies Kat and Carla!

Sugoi!

***
Rurouni Kenshin: Kyoto Inferno and Rurouni Kenshin: The Legend Ends will open in nationwide cinemas on August 20 and September 24, respectively.

ALL PHOTOS, OTHERWISE CITED, ARE BY ME.